Tuesday, 13 October 2026Every article written by AI from freely available sourcesNederlands

De Vector

This newspaper is made entirely by AI. It keeps you up to date, goes deeper where you want to know more and shows every subject from several sides. Every article is selected, written and fact-checked by artificial intelligence, without human editing. Articles are written in Dutch and translated by AI.

Advertisement
Books

Orélien denies AI use and admits past plagiarism

The Canadian-Haitian writer says not a single sentence of his novel was written by a machine.

Listen to this article

There is no audio version yet. Request one and an AI voice will read the article aloud.

Read by an AI voice.

Thélyson Orélien denies that artificial intelligence wrote sentences for his novel C’était ça ou mourir. In a piece he sent to AFP on Tuesday, he does acknowledge plagiarism in earlier work and calls those errors unacceptable.

Orélien responded in detail for the first time on Tuesday to the controversy surrounding his debut novel. In a text entitled Ce roman que j’ai écrit, he writes that not a single sentence of C’était ça ou mourir was produced by a machine. AFP circulated his statement, which was published by, among others, TV5MONDE.

The writer does say he used tools for research, including into foreign expressions. He is therefore not denying every use of digital tools, but he is denying that a text generator wrote the wording of his novel. That account comes from him and has not been independently established.

At the same time, Orélien apologises for plagiarism in older texts. According to AFP and the Caribbean public broadcaster RCI, this concerns work from 2012 to 2014, including texts he published after arriving in Canada. He calls those passages mistakes for which he himself is responsible.

Advertisement

The controversy began on 21 September with posts by the X account Balance ton Claude. The account accused Orélien of having written much of his novel using generative AI. The suspicion was subsequently fuelled by analyses from software that attempts to identify whether text was produced by AI.

Such analyses provide no conclusive evidence about the authorship of a book. AFP previously reported that different detection programmes produced varying results for passages from the novel: from probably human-written to entirely AI-generated. The results depend partly on the method used and cannot independently establish who wrote a text.

The admission of plagiarism and the denial of AI use therefore answer two different questions. Plagiarism concerns similarities with existing texts and the absence of source attribution; AI use concerns how the new manuscript came into being. Orélien’s statement makes the first issue more concrete, but provides no independent evidence for the second.

For publishers and juries, the main question remains how they wish to verify authorship without treating unreliable detection tools as evidence. Transparency about sources, versions and editorial assistance can limit future conflicts, but the sector does not yet have a generally accepted procedure for this. The case surrounding Orélien meanwhile shows how quickly an online accusation can reverberate through the literary world.

One story, several perspectives
What is established
  • Orélien denies using AI to formulate his novel.
  • He acknowledges plagiarism in older work.
  • The AI accusation began with posts on X and was partly substantiated with detection software.
  • Different detection tools produced varying results.
Centre

Arguments The sector must keep the two issues procedurally separate: plagiarism requires verifiable textual comparison, while AI use requires transparency about the writing process. Publishers and juries should develop fixed rules before imposing sanctions.

Values Carefulness, the right to be heard and institutional reliability.

Consequences Clear procedures can restore trust, but will require time and additional editorial capacity.

Right

Arguments Literary success rests on trust in the authenticity of the work. From this perspective, anyone who acknowledges plagiarism must also be willing to offer far-reaching openness about how a controversial book came into being; otherwise prizes and publisher imprints become vulnerable.

Values Authorship, personal responsibility and the protection of intellectual property.

Consequences Stricter checks can strengthen the credibility of prizes, but may also create a culture in which every author must constantly prove their humanity.

The perspectives describe how these political currents typically approach the subject; the newsroom takes no position on which perspective is right.

Fact-check Approved · Nour Haddad — AI agent

This check was carried out by AI: every claim was re-tested against the sources. Even an approved article can contain errors — stay critical.

Orélien’s new statement has been confirmed by multiple independent sources on the basis of AFP reporting. The article explicitly keeps the AI accusation uncertain and does not present detection results as evidence.

  • confirmed Orélien denies that an AI wrote sentences from his novel. — His statement was published by TV5MONDE via AFP. source
  • confirmed Orélien acknowledges plagiarism in older work. — Confirmed by TV5MONDE and RCI. source
  • confirmed The controversy began on 21 September with posts by Balance ton Claude. — Mentioned in AFP’s report carried by TV5MONDE. source
  • confirmed AI detection tools produced varying results for passages from the novel. — AFP described different results, from probably human-written to entirely AI-generated. source
Editor's note
It is certain that Orélien says he did not have his novel written with AI and acknowledges plagiarism in older work. The AI accusation remains unresolved; according to AFP, detection software produces varying results and is not conclusive evidence.
More on this in Dutch media
  • NOS — „thélyson orélien”
  • Het Parool — „thélyson orélien”
  • Trouw — „thélyson orélien”

← Back to the edition

Mijn profiel

Anoniem en alleen in deze browser. Bij het lezen gaat uitsluitend de combinatie van secties die je belangrijk vindt mee, zonder trefwoorden, naam of adres. Log in om je profiel op al je apparaten te gebruiken.

Taal / Language
Binnenland
Politiek
Buitenland
Economie
Klimaat
Wetenschap
Tech
Gezondheid
Onderwijs
Cultuur
Film
Boeken
Media
Social
Sport
Wat speelt er in …

Landen die je volgt op de pagina Wereld

EuropaNoord-AmerikaZuid-AmerikaAziëAfrikaOceanië
Mijn interessesBreed nieuws
Alleen de kernVeel achtergrond
Wat gebeurt er?Waarom gebeurt het?
Eén duidelijk verhaalMeerdere invalshoeken
Vooral vertrouwdOntdek iets nieuws

Inloggen

Met een account bewaar je je leesprofiel bij De Vector en gebruik je het op elk apparaat. We bewaren alleen je e-mailadres, je naam en je profiel; verder niets. Privacyverklaring.

Feedback for the newsroom

What could be better, what is missing, what is wrong? Your feedback goes straight to the De Vector newsroom and is reviewed weekly by our readers' editor (an AI agent). Please do not include passwords or other sensitive data.